9 nautical miles across the sea from the Gateway of India lay Elephanta, also known as 'Gharapuri'. Visit this green island for the wonders of the 7 th century, the painstakingly hewn rock-cut cave temple, dedicated to Shiva. The Maheshamurti panel in which Shiva is shown as a creator, protector and destroyer, is a sight that should be enjoyed at least once in a lifetime. Regular excursions to Elephanta start every day from the Gateway of India. Make sure you visit the Chalukya Restaurant run by MTDC.
The Caves will be closed on Monday.
How to Reach
The Elephanta Caves can be reached by Ferry from the Gateway of India, Mumbai.
Nearest airport is Mumbai 20 kms. upto Gateway of India, and 9 nautical miles across the sea.
Not as well known as Ajanta yet also interest are the rock-cut caves of Pitalkhora in the Satamala range of the Sahyadri hills. There are thirteen caves, set high up on the hill, overlooking picturesque ravines. Many of the caves contain carvings and paintings that date from the 1st century B.C. to the 5the century A.D. They were discovered after Ajanta and are first mentioned in a publication of 1853 where Caves 3 and 4 are described.
Many of the carvings as well as the paintings have been damaged by the weather and vandals. The caves appear to be of the early Hinayana period of Buddhism and are contemporary to the other rock-cut Buddhist temples in western India. They were probably excavated and carved during the Satavahana-Kshaharata regimes. There appears to be a subsequent period of desertion and re-occupation much later in the 5th century A.D. during the Vakataka rule. In the Hinayana Buddhist period no images of Buddha or Bodhisattvas (celestial beings personifying the virtues of Buddha and attending to the needs of the people) appear in places of worship and none can be seen in the caves of Pitalkhora except for the paintings in Cave 3, which belong to the later phase of occupation.
Because of their locations the caves have been divided into two groups. Caves 1-9 face north and east and are adjacent to each other. These are in Group I. On the other side of the hill, facing southwards are Caves 10-14 which make up Group II.
Many of the caves have crumbled and are badly damaged. Cave 1 looks like a huge natural opening. There are indications of cells and door supports and it may have formed an extensive Vihara or monastery.
Caves 2, 3 and 4 share the same forecourt and are presumed to be of the same period. The dividing wall between 2 and 3 has disappeared, 2 was a Vihara and has an interesting rock-cut drain which prevents water from flowing into Cave 3 which was a prayer hall.
The best paintings are in Cave 3. These appear on the pillars and side walls. 37 pillars used to separate the aisle from the hall and these were donated individually as inscriptions on the 10th and 11th pillars, on the right, indicate. The donors of both these pillars were residents of Paithan. Steps lead down to a basement containing several carvings. Rare crystals and other reliquaries were found in the stupa here.
How to Reach
73 km away from Aurangabad
Nearest airport Aurangabad at a distance of 46 km
Nearest railway station is Vadod at a distance of 32 km